Un-public domain
Will DRM and the challenges to fair use spell the end for your local library?
<!--- Ed.note: Library horror story made into an article by InfoWorld readers advocate ---!>
By Ed Foster
March 28, 2003
It was a very strange experience. I'll admit that it had been awhile since I'd visited my local library, so I was totally unprepared -- even after our recent discussion about books vs. software -- for how much it had changed.
The first change would have been hard to miss: I found the entryway to the stacks blocked by a turnstile. When I tried to push through it, an LED panel flashed "Insert Library Card" next to a small slot at the side. My tattered, old library card didn?t look as if it would fit, and indeed, it was rejected when I tried to insert it. "Access to Reading Room Denied -- See New Accounts Desk", the LED flashed.
Looking around, I saw signs leading me to a door I?d never seen before marked "New Accounts". Inside, a well-dressed young lady greeted me so warmly that at first I thought she must be somebody I knew.
"What can we do for you today?" she asked, and I produced my old card. With professional restraint, she suppressed a smirk over this relic and proceeded to reveal the wonderful benefits my new library account would provide. Although I didn't understand what a lot of the features she touted had to do with a library -- being able to use my Blockbuster card to get videos at the library seemed an incongruous benefit -- I agreed to sign up.
"Great!" she enthused. "I'll just need to see a photo ID and a major credit card". As I handed them over, she was not amused by my little joke about how the library must be taking overdue fines pretty seriously to ask for a credit card. She proceeded to have me sign an array of Terms of Service, Acceptable Use, and Privacy Policy documents.
"Just one more", she finally said. "Initial this here and here to show that you agree your use of all lending library materials will be governed by the appropriate Microsoft End User License Agreement".
She must have misunderstood, I said. I wasn't there to get any software. I just wanted to borrow a few books for springtime reading. Why would I need to agree to a Microsoft EULA for that?
"It's just a formality", she assured me. "Microsoft provides the Digital Rights Management technology we use to protect the intellectual property rights of all the authors and artists represented here. So it's really just an umbrella agreement that allows them to update that technology as needed. I'm sure you understand".
I didn?t, as a matter of fact, and I wanted to ask her how DRM (Digital Rights Management) could be used to protect a regular, nondigital book. But she was already popping up from her desk: "Terrific, we?re all done. Your new card is just about finished printing out".
She handed it to me and then led me into the reading room to which I'd earlier been denied access. All the bookshelves had been removed, replaced by a multitude of computer terminals, and she gestured to an empty one. "You get one book rental for free as our thank-you gift for opening your new account, so you should use our online card catalog to identify which one you?d like to check out", she said.
I told her I'd rather just browse through the books, an idea she found delightfully droll. "Yes, I'm sure you would", she chortled. "We?d all like open access to the bookshelves. But that would mean you could hang around here for who knows how long reading to your heart?s content, wouldn?t it? What kind of library is that?"
That's when it hit me: She'd said earlier that I got one free book rental. Weren't most book rentals at this library free? Of course not, she said, handing me a rate card. One glance told me I'd better choose that free book wisely because I surely couldn?t afford many more.
But why was it so expensive to borrow a book? "Do you want to deprive the authors of all incentive to write?" she asked rhetorically. "They have to be fairly compensated for their work".
I was tempted to ask why writers had been writing for so long in spite of free libraries, but then I had an idea. OK, I wouldn't want to shortchange any living authors of their livelihood, but surely works in the public domain would still be free. Couldn't I check out a volume of Shakespeare gratis, for example? Presumably he's already had his just rewards.
"Oh, I?m afraid Shakespeare is particularly expensive", she answered, explaining that after the Supreme Court ruled that copyright could be extended indefinitely into the future, Congress couldn't see any reason why it couldn't be extended indefinitely into the past as well. "Naturally, those who?ve contributed the most to keeping his works alive have the strongest claim on current royalties".
Think of all the movie studios, distributors, producers, directors, and actors who would have to share my paltry rental fees, she added. Why, for Romeo and Juliet alone, the library would have to pay royalties to everyone involved in the latest film version all the way back to West Side Story. "And, after all, where would Shakespeare be without Leonardo DiCaprio?" she quipped.
It's hard to argue with that, so I hurriedly chose one of my wife's favorite mystery authors as my free book and started to leave. On the way out, I noticed a group of preschoolers gathering in the children's section. The sign announcing a reading session of Brothers Grimm fairy tales included "All rights reserved" by the Disney Corp., of course, and "Microsoft Passport Account" required for admission.
In closing, I should clearly point out that the e-mail version of this column will be distributed on April 1. But who are the bigger fools -- those who think my little tale could be true or those who think it could never happen?
<!--- Ed.note: Library horror story made into an article by InfoWorld readers advocate ---!>
By Ed Foster
March 28, 2003
It was a very strange experience. I'll admit that it had been awhile since I'd visited my local library, so I was totally unprepared -- even after our recent discussion about books vs. software -- for how much it had changed.
The first change would have been hard to miss: I found the entryway to the stacks blocked by a turnstile. When I tried to push through it, an LED panel flashed "Insert Library Card" next to a small slot at the side. My tattered, old library card didn?t look as if it would fit, and indeed, it was rejected when I tried to insert it. "Access to Reading Room Denied -- See New Accounts Desk", the LED flashed.
Looking around, I saw signs leading me to a door I?d never seen before marked "New Accounts". Inside, a well-dressed young lady greeted me so warmly that at first I thought she must be somebody I knew.
"What can we do for you today?" she asked, and I produced my old card. With professional restraint, she suppressed a smirk over this relic and proceeded to reveal the wonderful benefits my new library account would provide. Although I didn't understand what a lot of the features she touted had to do with a library -- being able to use my Blockbuster card to get videos at the library seemed an incongruous benefit -- I agreed to sign up.
"Great!" she enthused. "I'll just need to see a photo ID and a major credit card". As I handed them over, she was not amused by my little joke about how the library must be taking overdue fines pretty seriously to ask for a credit card. She proceeded to have me sign an array of Terms of Service, Acceptable Use, and Privacy Policy documents.
"Just one more", she finally said. "Initial this here and here to show that you agree your use of all lending library materials will be governed by the appropriate Microsoft End User License Agreement".
She must have misunderstood, I said. I wasn't there to get any software. I just wanted to borrow a few books for springtime reading. Why would I need to agree to a Microsoft EULA for that?
"It's just a formality", she assured me. "Microsoft provides the Digital Rights Management technology we use to protect the intellectual property rights of all the authors and artists represented here. So it's really just an umbrella agreement that allows them to update that technology as needed. I'm sure you understand".
I didn?t, as a matter of fact, and I wanted to ask her how DRM (Digital Rights Management) could be used to protect a regular, nondigital book. But she was already popping up from her desk: "Terrific, we?re all done. Your new card is just about finished printing out".
She handed it to me and then led me into the reading room to which I'd earlier been denied access. All the bookshelves had been removed, replaced by a multitude of computer terminals, and she gestured to an empty one. "You get one book rental for free as our thank-you gift for opening your new account, so you should use our online card catalog to identify which one you?d like to check out", she said.
I told her I'd rather just browse through the books, an idea she found delightfully droll. "Yes, I'm sure you would", she chortled. "We?d all like open access to the bookshelves. But that would mean you could hang around here for who knows how long reading to your heart?s content, wouldn?t it? What kind of library is that?"
That's when it hit me: She'd said earlier that I got one free book rental. Weren't most book rentals at this library free? Of course not, she said, handing me a rate card. One glance told me I'd better choose that free book wisely because I surely couldn?t afford many more.
But why was it so expensive to borrow a book? "Do you want to deprive the authors of all incentive to write?" she asked rhetorically. "They have to be fairly compensated for their work".
I was tempted to ask why writers had been writing for so long in spite of free libraries, but then I had an idea. OK, I wouldn't want to shortchange any living authors of their livelihood, but surely works in the public domain would still be free. Couldn't I check out a volume of Shakespeare gratis, for example? Presumably he's already had his just rewards.
"Oh, I?m afraid Shakespeare is particularly expensive", she answered, explaining that after the Supreme Court ruled that copyright could be extended indefinitely into the future, Congress couldn't see any reason why it couldn't be extended indefinitely into the past as well. "Naturally, those who?ve contributed the most to keeping his works alive have the strongest claim on current royalties".
Think of all the movie studios, distributors, producers, directors, and actors who would have to share my paltry rental fees, she added. Why, for Romeo and Juliet alone, the library would have to pay royalties to everyone involved in the latest film version all the way back to West Side Story. "And, after all, where would Shakespeare be without Leonardo DiCaprio?" she quipped.
It's hard to argue with that, so I hurriedly chose one of my wife's favorite mystery authors as my free book and started to leave. On the way out, I noticed a group of preschoolers gathering in the children's section. The sign announcing a reading session of Brothers Grimm fairy tales included "All rights reserved" by the Disney Corp., of course, and "Microsoft Passport Account" required for admission.
In closing, I should clearly point out that the e-mail version of this column will be distributed on April 1. But who are the bigger fools -- those who think my little tale could be true or those who think it could never happen?
