2006-08-02

Copyright Versus Consumers' Rights

How Companies are Using the Digital Millennium Copyright Act to Thwart Competition

By Chris Sprigman
Tuesday, Mar. 25, 2003
[In Findlaw's Legal Commentary]

Back in 1998, Congress rewrote copyright law to address the entertainment industry's concern that digital piracy would destroy the ability of content owners to profit from copyrighted books, films and music. The statute that Congress passed, the Digital Millenium Copyright Act (DMCA), makes illegal both the circumvention of technical measures that control access to copyrighted material, and "trafficking in" any tools or technology that can be used in the process of circumvention.

The DMCA immediately became controversial - in part because its broad language swept in even the limited forms of copying (for example, for comment, criticism, or parody) that have traditionally been allowed as fair use.

Early DMCA cases were also controversial. They targeted the circumvention of access and copy controls in various media, from streaming audio, to DVD films, to computer games, to e-books. Like the statute itself, the results in these cases arguably trampled fair use, and inhibited innovation. Nonetheless, in all of these cases the claims were at least related to Congress's intent in enacting the DMCA - the protection of independently marketed copyrighted works against digital piracy.

Recently, however, Lexmark - the Lexington, Kentucky company that is the world's second largest manufacturer of computer printers and printer supplies - filed a new kind of DMCA case that arguably does not track Congress's intent.

Unlike in prior DMCA disputes, the object of Lexmark's DMCA claim is not to prevent piracy of a copyrighted work. Instead, it is to prevent rivals from offering cheaper cartridges for Lexmark's printers. This is not copyright protection, but profit protection.

Looking at the DMCA's legislative history, it's easy to see what Congress had in mind - protecting Hollywood's profits from pirates. Unfortunately, the text of the statute is so broadly drawn that all sorts of companies will be tempted to use suits like Lexmark's to shut out legitimate competitors.

The Basis for Lexmark's DMCA Suit

In Kentucky federal court, Lexmark has sued Static Control Corp. - a North Carolina firm that makes over 3,000 parts for 70 models of printer cartridges, so that other companies can recycle used cartridges and sell them at substantially discounted prices. Lexmark asserts in its suit that Static Control has infringed Lexmark's copyrights, and violated the DMCA.

To understand the conflict, a bit of background on the economics of the printer business is necessary. Printer manufacturers sell their machines on the cheap. They make most of their profits selling the replacement ink and toner. (It's somewhat like the razor industry, which makes its money off expensive razor blades, not relatively cheap shaver handles.)

Lexmark itself is no exception: Its sale of printer supplies grew 19 percent last year, and accounted for more than half of the company's $4.4 billion in sales. In contrast, revenue from its printers rose less than 1 percent.

Predictably, however, high prices for printer ink and toner led to a huge business opportunity for firms that collect used printer cartridges; refurbish and refill them; and sell them at steep discounts.

Here's what I mean by "steep": Suppose you have a Lexmark Optra T622 laser printer. A Lexmark printer cartridge for that model costs about $375. A remanufactured cartridge costs about $165--yet is basically the same in terms of both longevity and print quality. Obviously, no one in their right mind would buy the $375 cartridge.

Sensing doom, Lexmark responded this way: It installed tiny computer chips on its printer cartridges. And it designed its printers to function only if they complete an authentication sequence - also known as an "electronic handshake" - with a program residing on the chip.

(The program on the Lexmark chip also tells the printer when toner is running low. Interestingly, Lexmark also sells a version of its cartridges that does not use a chip - and can therefore be remanufactured - but charges an additional $20 to $50 per cartridge.)

In response, Static Control designed its own "Smartek" chip that allows remanufactured cartridges to work in some of Lexmark's printers.

Lexmark sued, bringing both copyright infringement and DMCA claims. Soon, it moved for a preliminary injunction, and won its motion.

Lexmark's Initial Win: The Preliminary Injunction

A "preliminary injunction" is a temporary injunction that commands the defendant to do, or desist from doing something, for the remainder of the case. It requires proof both of likelihood of success on the merits - that is, proof the defendant is likely to win at trial - and proof of irreparable harm - that is, harm money damages cannot fully compensate.

Finding that Lexmark has proven both points, the Kentucky federal court granted the injunction, ordering Static Control to cease making and selling its Smartek chip. In so doing, it made a number of important findings of fact.

First, on the copyright claim, it found that that Static Control had copied wholesale the programs stored on the Lexmark chip - rather than reverse engineering them as it had claimed. (Indeed, embarrassingly for Static Control, its code even contained a non-functional ASCII code sequence spelling out Lexmark's stock market ticker symbol!) That, the court held, suggested Static Control had likely violated the copyright laws.

Second, on the DMCA claim, the court found that the Smartek chip was an illegal "circumvention device" because it effectively mimicked the Lexmark authentication procedure - giving the very same handshake the Lexmark chip gave.

The DMCA has a specific exception for reverse engineering. (As I detailed in an earlier column, reverse engineering - here, using programming methods to reconstruct an approximation of the underlying source code of the Lexmark chips - can sometimes be legal as "fair use" under copyright law.) To fit within the DMCA's exception, the reverse engineering must be geared to achieve interoperability, by way of an "independently created computer program." But, the court held, Static Control's copied program was plainly not an independently created one. Thus, it did not qualify for the DMCA's reverse engineering exception.

Back to the Drawing Board for Static Control?

How great a loss was the preliminary injunction ruling for Static Control, from a business standpoint? Interestingly, not as great as it might seem.

The court made a specific finding that Static Control could have figured out by reverse engineering how to write a different program that passed the authentication test. So if Static Control now does so in a "clean room" environment - that is, one where none of Static Control's engineers ever see Lexmark's source code - the resulting chip may be perfectly legal.

In sum, the problem, the court suggested, was not Static Control's result, but its process. If a reverse engineering process produces the same result - the same kind of chip as the Smartek chip - that's fine from a legal standpoint.

Meanwhile, for now, Hewlett-Packard, the world's largest printer manufacturer, has refused to follow Lexmark's lead. And the European Parliament, which is concerned about the amount of "electroscrap" - that is, computer-related waste - headed to landfills, recently approved a law that is likely to promote third-party remanufacturers of printer cartridges.

The Chips in Your Future: Other Industries the Ruling May Affect

What's the larger relevance of the suit? If Lexmark is successful, the suit may cause a significant shift in the balance between intellectual property rights, and free and open competition. Not only the printer industry, but others, may be profoundly affected.

Consider the multi-billion dollar U.S. market for car parts. About 75 percent of cars with expired warranties are repaired by independent repair shops that regularly use cut-rate parts manufactured by aftermarket firms. Many of these parts - for example, antilock brakes, ignition systems, airbags, emissions sensors - contain microchips. Car manufacturers could re-design these parts, and others like them, to contain DMCA-protected software programs that interact with a car's on-board computers to allow only manufacturer-approved parts to be used.

If car manufacturers followed that route, price competition from independent repair shops and parts manufacturers could vanish - at least until the independents figured out a way to reverse engineer the necessary "electronic handshake" to get the cars to accept their parts, too.

The computer industry, too, could take a similar course, with even more damaging results. The near ubiquity of computers and the Internet have given rise to an overwhelming need for interconnection between different elements of computer systems.

If hardware or software companies can add access controls to their interfaces - as Lexmark did with its printers - then those companies will be able, in effect, to determine which products made by other firms could interoperate with their products.

If a dominant company or group of companies uses access controls to limit interoperability, competition and innovation may be seriously harmed. Even the temporary delays caused by the need for reverse engineering to occur could be very harmful to competitors; by the time reverse engineering is complete, the dominant company may have moved on to next year's model - and another, harder-to-reverse-engineer chip.

The DMCA could also cause mischief in the markets for consumer electronics by limiting the availability of both replacement parts and third-party accessories. One might imagine, for example, a cell phone manufacturer applying technological measures to exclude competition in replacement batteries.

Or consider a case that has already arisen, involving remote control garage-door openers. Chamberlain is a manufacturer of both doors and remote control openers for them; its openers have a feature that guarantees that they work only when certain software codes are received. It has sued Skylink, a company that makes universal remote controls that circumvent this feature, under the DMCA.

Static Control Seeks a DMCA Exemption

What should be done to protect competition? Static Control has already begun to explore one possibility.

In passing the DMCA, Congress adopted a safeguard provision directing the United States Copyright Office to undertake a triennial review relating to the statute. The purpose of the review is to exempt from the statute's anticircumvention provisions classes of works where the Copyright Office found that technological protection measures had impeded lawful uses.

Static Control has filed a petition with the Copyright Office asking for an exemption that would cover its Smartek chip. Specifically, it has asked the Copyright Office to exempt from the DMCA small, embedded computer programs that "do not otherwise control the performance, display or reproduction of copyrighted works that have an independent economic significance."

Put more simply, if Static Control gets its wish, only circumvention done for the purpose of copying an independently valuable piece of expression like a book or a film would still come within the DMCA. That makes perfect sense: Indeed, it would mean that the DMCA would be restored to its original purpose.

Twisting the statute beyond Congress's intent works to no one's advantage, except that of corporations who seek to squelch competitors. Static Control's request should be granted. If it isn't, consumers will predictably suffer.

2006-07-31

Un-public domain

Will DRM and the challenges to fair use spell the end for your local library?

<!--- Ed.note: Library horror story made into an article by InfoWorld readers advocate ---!>

By Ed Foster
March 28, 2003

It was a very strange experience. I'll admit that it had been awhile since I'd visited my local library, so I was totally unprepared -- even after our recent discussion about books vs. software -- for how much it had changed.

The first change would have been hard to miss: I found the entryway to the stacks blocked by a turnstile. When I tried to push through it, an LED panel flashed "Insert Library Card" next to a small slot at the side. My tattered, old library card didn?t look as if it would fit, and indeed, it was rejected when I tried to insert it. "Access to Reading Room Denied -- See New Accounts Desk", the LED flashed.

Looking around, I saw signs leading me to a door I?d never seen before marked "New Accounts". Inside, a well-dressed young lady greeted me so warmly that at first I thought she must be somebody I knew.

"What can we do for you today?" she asked, and I produced my old card. With professional restraint, she suppressed a smirk over this relic and proceeded to reveal the wonderful benefits my new library account would provide. Although I didn't understand what a lot of the features she touted had to do with a library -- being able to use my Blockbuster card to get videos at the library seemed an incongruous benefit -- I agreed to sign up.

"Great!" she enthused. "I'll just need to see a photo ID and a major credit card". As I handed them over, she was not amused by my little joke about how the library must be taking overdue fines pretty seriously to ask for a credit card. She proceeded to have me sign an array of Terms of Service, Acceptable Use, and Privacy Policy documents.

"Just one more", she finally said. "Initial this here and here to show that you agree your use of all lending library materials will be governed by the appropriate Microsoft End User License Agreement".

She must have misunderstood, I said. I wasn't there to get any software. I just wanted to borrow a few books for springtime reading. Why would I need to agree to a Microsoft EULA for that?

"It's just a formality", she assured me. "Microsoft provides the Digital Rights Management technology we use to protect the intellectual property rights of all the authors and artists represented here. So it's really just an umbrella agreement that allows them to update that technology as needed. I'm sure you understand".

I didn?t, as a matter of fact, and I wanted to ask her how DRM (Digital Rights Management) could be used to protect a regular, nondigital book. But she was already popping up from her desk: "Terrific, we?re all done. Your new card is just about finished printing out".

She handed it to me and then led me into the reading room to which I'd earlier been denied access. All the bookshelves had been removed, replaced by a multitude of computer terminals, and she gestured to an empty one. "You get one book rental for free as our thank-you gift for opening your new account, so you should use our online card catalog to identify which one you?d like to check out", she said.

I told her I'd rather just browse through the books, an idea she found delightfully droll. "Yes, I'm sure you would", she chortled. "We?d all like open access to the bookshelves. But that would mean you could hang around here for who knows how long reading to your heart?s content, wouldn?t it? What kind of library is that?"

That's when it hit me: She'd said earlier that I got one free book rental. Weren't most book rentals at this library free? Of course not, she said, handing me a rate card. One glance told me I'd better choose that free book wisely because I surely couldn?t afford many more.

But why was it so expensive to borrow a book? "Do you want to deprive the authors of all incentive to write?" she asked rhetorically. "They have to be fairly compensated for their work".

I was tempted to ask why writers had been writing for so long in spite of free libraries, but then I had an idea. OK, I wouldn't want to shortchange any living authors of their livelihood, but surely works in the public domain would still be free. Couldn't I check out a volume of Shakespeare gratis, for example? Presumably he's already had his just rewards.

"Oh, I?m afraid Shakespeare is particularly expensive", she answered, explaining that after the Supreme Court ruled that copyright could be extended indefinitely into the future, Congress couldn't see any reason why it couldn't be extended indefinitely into the past as well. "Naturally, those who?ve contributed the most to keeping his works alive have the strongest claim on current royalties".

Think of all the movie studios, distributors, producers, directors, and actors who would have to share my paltry rental fees, she added. Why, for Romeo and Juliet alone, the library would have to pay royalties to everyone involved in the latest film version all the way back to West Side Story. "And, after all, where would Shakespeare be without Leonardo DiCaprio?" she quipped.

It's hard to argue with that, so I hurriedly chose one of my wife's favorite mystery authors as my free book and started to leave. On the way out, I noticed a group of preschoolers gathering in the children's section. The sign announcing a reading session of Brothers Grimm fairy tales included "All rights reserved" by the Disney Corp., of course, and "Microsoft Passport Account" required for admission.

In closing, I should clearly point out that the e-mail version of this column will be distributed on April 1. But who are the bigger fools -- those who think my little tale could be true or those who think it could never happen?

- made with -

Blogger Templates